THE GEROGERIGEGEGE - º£Æü¤È¤¤¤¦Æü¤¬À¸¤Þ¤ì¤¿»þ¤«¤é·è¤Þ¤Ã¤Æ¤¤¤ë¤è¤¦¤Ë CD

ÈÎÇä²Á³Ê

2,500±ß

¹ØÆþ¿ô

CDºÆÆþ²Ù¡£

º£²óÆþ²Ùʬ¤Ë¤Ï¥×¥ì¥¹¤µ¤ì¤¿ÆÃŵCDÉÕ

(SEXUAL BEHAVIOR IN THE HUMAN MALE¤Î1990ǯ¤Î̤ȯɽ¥é¥¤¥ô²»¸». Live at Åì½½¾ò Gig Hall 8/FEB/1990 )



THE TRILOGY TAPES¤ò¤Ï¤¸¤á³¤³°¤Î¥ì¡¼¥Ù¥ë¤«¤é¤Î¥ê¥ê¡¼¥¹´Þ¤á¡¢¶áǯ¤âÆÈÆäΥࡼ¥Ö¤ò¤ß¤»¤ë¥²¥í¥²¥ê¥²¥²¥²¤¬2022ǯ¡¢¤¤¤Ì¤óƲ¤«¤é¥ê¥ê¡¼¥¹¤¹¤ë¤Î¤Ï88ǯ¤Î1st 7"²»¸»¤òÂçÃÀ¤Ê¤Û¤É¥ê¥ß¥Ã¥¯¥¹¡¢NG¥Æ¥¤¥¯¤È¤·¤ÆÉõ¤¸¤é¤ì¤Æ¤¤¤¿¥È¥é¥Ã¥¯¤Ê¤É¤â´Þ¤ß12¶ÊÆþ¤ê¤Ë¤Þ¤ÇËĤé¤ó¤À³ÈÄ¥Èסª

¤½¤·¤Æ¥²¥í55ºÐ¤¬Åö»þ¤Î΢Ïäò¸ì¤Ã¤¿5500»ú¥é¥¤¥Ê¡¼¤â·ÇºÜ¡£




+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +

34ǯÁ°(1988ǯ)¤Î1st¥·¥ó¥°¥ë¤ò¥Þ¥ë¥Á¥Æ¡¼¥×¤«¤éÁ´¶Ê¤ò¤ä¤ê²á¤®¤ÊÄø¥ê¥ß¥Ã¥¯¥¹!!¥Þ¥¹¥¿¡¼¥Æ¡¼¥×¤«¤éÁ´¶Ê¤ä¤ê²á¤®¤ÊÄø¥ê¥Þ¥¹¥¿¡¼!!¿Íµ¤¶Ê¡ÖBÌ̤κǽé¤Î¶Ê¡×´ñÀפÎNG¥Æ¥¤¥¯2¶Ê½é²ò¶Ø!!Ʊǯ ÅÁÀâ¤Î"¹¾¥ÎÅ糤´ß¥½¥Î¥·¡¼¥ÈÁ´¾ÆµÑ¥é¥¤¥Ö"(ȯÇ䤹¤ë¤È¸À¤Ã¤È¤­¤Ê¤¬¤é¥×¥ì¥¹¸å µ¤¤¬ÊѤï¤Ã¤Ædz¤ä¤¹»ö¤Ë¤Ê¤Ã¤¿)¤Ç»È¤ï¤ì¤¿¡Ö°¦¿Í¡×¤Î¥ê¥Þ¥¹¥¿¡¼¤Þ¤Ç¼ýÏ¿¤ÎÁ´12¶Ê!! ¥²¥í55ºÍ¤¬Åö»þ¤Î΢Ïäò¸ì¤ë¥é¥¤¥Ê¡¼5500»ú·ÇºÜ!! ±ÑÌõÉÕ!!



¼ýÏ¿¶Ê
1. º£Æü¤È¤¤¤¦Æü¤¬À¸¤Þ¤ì¤¿»þ¤«¤é·è¤Þ¤Ã¤Æ¤¤¤ë¤è¤¦¤Ë (REMIX 2022)
SEXUAL BEHAVIOR IN THE HUMAN MALE (REMIX 2022)
2. WATER BUSINESS (REMIX 2022)
3. BÌ̤κǽé¤Î¶Ê (REMIX 2022)
4. ENSAM I NATT (REMIX 2022)
5. BÌ̤κǽé¤Î¶Ê (NG TAKE 1)
6. BÌ̤κǽé¤Î¶Ê (NG TAKE 2)
7. WATER BUSINESS (REMASTER 2022)
8. SEXUAL BEHAVIOR IN THE HUMAN MALE (REMASTER 2022)
9. BÌ̤κǽé¤Î¶Ê(REMASTER 2022)
10. ENSAM I NATT (REMASTER 2022)
11. °¦¿Í(REMASTER 2022)
12. SEXUAL BEHAVIOR IN THE HUMAN MALE (GERO 30 MIX 2022)



ORIGINAL 7¡Éep – RELEASED ON TRANS RECORDS 1988
ORIGINAL RECORDED AT MOD STUDIO – 8th /11th / April/1988
JUNTARO YAMANOUCHI – ALL GUITARS, BASS, VOCALS, TAPES
GERO 30 – VOCALS ON 3, 5, 6, 9, 12
DEE DEE GERO¡¿HIRONAO KOMAKI – GUITAR, BASS ON 4, 10
TOSHINORI FUKUDA – ALL DRUMS, VOCAL ON 10
ALL COMPOSED & REMIXED BY JUNTARO YAMANOUCHI
EXCEPT 1, 8, 12 : JUNTARO YAMANOUCHI + DEE DEE GERO
4, 10 : THE LEATHER NUN
11: TOYOHISA ARAKI, TAKASHI MIKI
REMIX ENGINEERED BY
1 : TOSHIAKI SUDOH
3, 5, 6, 11, 12 : TOSHIHISA HIRANO
2, 4 : TOSHIAKI SUDOH + TOSHIHISA HIRANO
MASTERED & REMASTERED BY SOUICHIRO NAKAMURA